![]() ![]() It can be done, but it takes practice, a good eye, and patience. There are entire companies devoted to only doing color correction for films. ![]() Learning to color correct takes a lot of time to get good. You will most likely have to tweak the settings, but is a good start. ![]() Make sure you have your scopes enabled so you can see what changes in order to create the matched color. This is explained in the User Manual ~pg 1,475. Using the "Transform" tool to zoom in on an area to isolate the color of a common item in the different clips may help here and you can then create a "Custom preset" for the Color Board.ģrd piece of advice, try using the "Match Color" available in FCPX "Modify" menu or command+option+M. You want to make sure your scopes from one clip match the other clips to have a uniform "look". Clips will have a certain pattern in the scopes especially the RGB parade that changes with the color of the day. You only need to color correct the clips in the final edit.Ģnd piece of advice, learn how to use the scopes. Really don't think that is what you mean.įirst advice, don't worry about the amount of raw footage you shot, leave color correcting till the entire edit in the TimeLine is very close to being done. " This makes it sound like it is only one continuously recorded clip? If that is the case of course the light will change. You also say that "Divide the video in the specific places where the sunlight change the environment exposure. You say you have "Hundreds of hours recorded with that problem". Always a good idea to give as much info as possible so people can give the best advice. ![]()
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